Marc-Andre Hamelin
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wrote on 15 Apr 2020, 00:02 last edited by
Live performance going on now.........
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wrote on 15 Apr 2020, 00:05 last edited by
Thanks, Tav!
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wrote on 15 Apr 2020, 00:12 last edited by
Thank you Tav! -
wrote on 15 Apr 2020, 00:13 last edited by
On it thanks
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Live performance going on now.........
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wrote on 15 Apr 2020, 00:19 last edited by
I love this Liszt. Totally underplayed
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wrote on 15 Apr 2020, 00:30 last edited by
Supreme control. He gets such a beautiful sound.
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wrote on 15 Apr 2020, 00:31 last edited by
I was just texting Grotriman that same thing.
Iād give my ice cubes in hell to play like him.
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wrote on 15 Apr 2020, 00:37 last edited by
What was that?!?
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wrote on 15 Apr 2020, 00:37 last edited by
He just reached into the pin block.
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wrote on 15 Apr 2020, 00:41 last edited by
Somebody fell on the mic stand
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wrote on 15 Apr 2020, 00:47 last edited by
Yep I just checked too. Great effect.
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wrote on 15 Apr 2020, 00:48 last edited by
that level of playing is such an athletic skill along with everything else.
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wrote on 15 Apr 2020, 00:51 last edited by
Wow. Bravo!
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wrote on 15 Apr 2020, 00:52 last edited by
Wow! The best performance of "Fireworks" I've ever heard. The palette of sounds he gets from the piano is awesome.
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wrote on 15 Apr 2020, 00:54 last edited by
Most exciting finale!
Neat trick with the full range black key + white key double glissandi with full pedal. Iām going steal that some day. -
@jon-nyc It's marked "sff sec" which is sforzando, dry sound. I guess he wanted a true "thud"
wrote on 15 Apr 2020, 00:56 last edited by@Tav-D said in Marc-Andre Hamelin:
@jon-nyc It's marked "sff sec" which is sforzando, dry sound. I guess he wanted a true "thud"
Finger on string while the hammer strikes is my guess.
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wrote on 15 Apr 2020, 11:20 last edited by
Missed it.
But on the other hand, I could watch the recording.
Why does this feel "lesser" than watching it live?
