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The New Coffee Room

  1. TNCR
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  3. The 2022 Van Cliburn competition - Russia vs Ukraine edition

The 2022 Van Cliburn competition - Russia vs Ukraine edition

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  • S Offline
    S Offline
    SD Tav
    wrote on last edited by
    #6

    I've started watching/listening to the first round.
    2022 Cliburn
    One competitor, George Osokins, has the guts to play something off the beaten track: Scriabin's 9th Sonata 'Black Mass'
    He plays it well.

    Stephen Hough (now he's SIR Stephen Hough) was commissioned to write a required piece: Fanfare Toccata. It's a nice piece, listenable.

    1 Reply Last reply
    • KlausK Offline
      KlausK Offline
      Klaus
      wrote on last edited by Klaus
      #7

      The pianists need to go through six rounds, which includes three piano concerti?

      Wtf? That's just insane. I need weeks to prepare a 5min piece to a standard that would still result in immediate expulsion from the competition. And they need to prepare, what, 4-5 hours of the most difficult repertoire, to be played at the highest standards???

      AxtremusA S 2 Replies Last reply
      • KlausK Klaus

        The pianists need to go through six rounds, which includes three piano concerti?

        Wtf? That's just insane. I need weeks to prepare a 5min piece to a standard that would still result in immediate expulsion from the competition. And they need to prepare, what, 4-5 hours of the most difficult repertoire, to be played at the highest standards???

        AxtremusA Offline
        AxtremusA Offline
        Axtremus
        wrote on last edited by
        #8

        @Klaus said in The 2022 Van Cliburn competition - Russia vs Ukraine edition:

        The pianists need to go through six rounds, which includes three piano concerti?

        Wtf? That's just insane.

        Yeah, imagine a X-country’s Got Talent TV show where the surviving contestants have to go through six rounds with songs spanning four genres with three operas or musicals … the TV show will never make it to the network.

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        • KlausK Klaus

          The pianists need to go through six rounds, which includes three piano concerti?

          Wtf? That's just insane. I need weeks to prepare a 5min piece to a standard that would still result in immediate expulsion from the competition. And they need to prepare, what, 4-5 hours of the most difficult repertoire, to be played at the highest standards???

          S Offline
          S Offline
          SD Tav
          wrote on last edited by
          #9

          @Klaus It seems the competition is more of a stamina-type contest where the pianist who plays with the fewest mistakes over a 3 week period can possibly make it to the podium. It's excessive in my opinion. I would feel most judges could make a decision about most of the competitors within 2 rounds. Also, 2 concertos should be enough!

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          • S Offline
            S Offline
            SD Tav
            wrote on last edited by
            #10

            The winner is 18 year old Yunchan Lim from Korea. An absolute phenom, incredibly talented.
            I was stunned by how well he played the Liszt Transcendental Etudes and the final round concerto. He played Rach 3. One of the best performances I've ever heard.

            Link to video

            Link to video

            George KG 89th8 2 Replies Last reply
            • S SD Tav

              The winner is 18 year old Yunchan Lim from Korea. An absolute phenom, incredibly talented.
              I was stunned by how well he played the Liszt Transcendental Etudes and the final round concerto. He played Rach 3. One of the best performances I've ever heard.

              Link to video

              Link to video

              George KG Offline
              George KG Offline
              George K
              wrote on last edited by
              #11

              @SD-Tav thanks for the link. I'm only a bit into it, but really REALLY enjoying it.

              I love how, in the first few minutes, after the theme is introduced, he understands that the piano takes a "subordinate" role - fleshing out the thickness of the movement. He becomes a part of the orchestra, rather than the "look at me!" soloist.

              Just wonderful.

              "Now look here, you Baltic gas passer... " - Mik, 6/14/08

              The saying, "Lite is just one damn thing after another," is a gross understatement. The damn things overlap.

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              • George KG Offline
                George KG Offline
                George K
                wrote on last edited by
                #12

                Wow. Just f'ing WOW.

                I skimmed through parts of it, but the ending, the last three minutes, were amazing.

                What really struck me was the conductors use of rubato (see about 42 minutes or so) and how Lim was right there with her. He followed and led her conducting.

                Wonderful. Just freaking great.

                "Now look here, you Baltic gas passer... " - Mik, 6/14/08

                The saying, "Lite is just one damn thing after another," is a gross understatement. The damn things overlap.

                S 2 Replies Last reply
                • George KG George K

                  Wow. Just f'ing WOW.

                  I skimmed through parts of it, but the ending, the last three minutes, were amazing.

                  What really struck me was the conductors use of rubato (see about 42 minutes or so) and how Lim was right there with her. He followed and led her conducting.

                  Wonderful. Just freaking great.

                  S Offline
                  S Offline
                  SD Tav
                  wrote on last edited by
                  #13

                  @George-K I'm going to follow Lim. He can have the type of career that Yuja Wang has had. He's that talented!

                  1 Reply Last reply
                  • George KG George K

                    Wow. Just f'ing WOW.

                    I skimmed through parts of it, but the ending, the last three minutes, were amazing.

                    What really struck me was the conductors use of rubato (see about 42 minutes or so) and how Lim was right there with her. He followed and led her conducting.

                    Wonderful. Just freaking great.

                    S Offline
                    S Offline
                    SD Tav
                    wrote on last edited by
                    #14

                    @George-K His virtuosity in the Liszt Transcendental Etudes is jaw-dropping. Especially the tempos. He's deadly accurate even when playing very fast.

                    1 Reply Last reply
                    • taiwan_girlT Offline
                      taiwan_girlT Offline
                      taiwan_girl
                      wrote on last edited by
                      #15

                      Wow!!! Crazy good and only 18 years old!!

                      Thanks for sharing that! I will have to watch in more detail later

                      1 Reply Last reply
                      • KlausK Offline
                        KlausK Offline
                        Klaus
                        wrote on last edited by
                        #16

                        I haven't watched the videos yet. Does he play better than Jon?

                        taiwan_girlT 1 Reply Last reply
                        • KlausK Klaus

                          I haven't watched the videos yet. Does he play better than Jon?

                          taiwan_girlT Offline
                          taiwan_girlT Offline
                          taiwan_girl
                          wrote on last edited by
                          #17

                          @Klaus said in The 2022 Van Cliburn competition - Russia vs Ukraine edition:

                          I haven't watched the videos yet. Does he play better than Jon?

                          That is a debate and depends on if you talk to Yuchan Lim or @jon-nyc

                          1 Reply Last reply
                          • S SD Tav

                            The winner is 18 year old Yunchan Lim from Korea. An absolute phenom, incredibly talented.
                            I was stunned by how well he played the Liszt Transcendental Etudes and the final round concerto. He played Rach 3. One of the best performances I've ever heard.

                            Link to video

                            Link to video

                            89th8 Offline
                            89th8 Offline
                            89th
                            wrote on last edited by
                            #18

                            @SD-Tav Thanks for highlighting this. I agree that Rach 3 was really great. Very clear and a nice mix of sharpness that quickly evolves into a fluid sustained sound. He also had a few slight pauses which I enjoyed... sometimes a half a second of silence can pull the listener in closer.

                            @George-K:

                            he understands that the piano takes a "subordinate" role - fleshing out the thickness of the movement. He becomes a part of the orchestra, rather than the "look at me!" soloist.

                            Very true. I have zero music education, but have always pictured Rach 3 as an epic battle between the piano and orchestra. Almost like a boxing match where each player throws haymaker knock-out punches at times, round after round competing but in the end working together harmoniously. I'd be happy to pick out time stamps if anyone wants examples. Love it.

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                            • KlausK Offline
                              KlausK Offline
                              Klaus
                              wrote on last edited by
                              #19

                              I'm going to disagree with you guys, and the jurors.

                              I found the finale of the Rach concerto absurdly fast. The orchestra could in part not handle the speed. More importantly, the pianist couldn't really handle it either and sacrificed clarity and precision for speed.

                              1 Reply Last reply
                              • 89th8 Offline
                                89th8 Offline
                                89th
                                wrote on last edited by
                                #20

                                Just finished watching the full thing.

                                • 26:00... always love watching how the pianist tackles this section, it's mesmerizing to watch
                                • 30:00 and 39:00... @Klaus is right, these two parts in particular he rushed a bit and was losing sync with the orchestra
                                • Always nervous when I see some sweat beads fly onto the keyboard, you don't need that at those speeds!
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