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The New Coffee Room

  1. TNCR
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  3. Mildly interesting

Mildly interesting

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  • MikM Offline
    MikM Offline
    Mik
    wrote last edited by
    #2384

    IMG_4962.jpeg
    Ian Fleming, who was a keen bird watcher living in Jamaica, was familiar with ornithologist James Bond's book "Birds of the West Indies," and chose the name of its author for the hero of "Casino Royale" in 1953, apparently because he wanted a name that sounded "as ordinary as possible." Fleming wrote to the real Bond's wife, "It struck me that this brief, unromantic, Anglo-Saxon and yet very masculine name was just what I needed, and so a second James Bond was born. In return,'' Fleming wrote, ''I can only offer you or James Bond unlimited use of the name Ian Fleming for any purposes you may think fit. Perhaps one day your husband will discover a particularly horrible species of bird which he would like to christen in an insulting fashion by calling it Ian Fleming.'' He also contacted the real James Bond about using his name in the books, and Bond replied to him, "Fine with it."
    At some point during one of Fleming's visits to Jamaica, he met the real Bond and his wife, as shown in a made-for-DVD documentary about Fleming. A short clip was shown with Fleming, Bond and his wife. Also in his novel "Dr. No", Fleming referenced Bond's work by basing a large ornithological sanctuary on Dr. No's island in the Bahamas.
    In 1964, Fleming gave Bond a first edition copy of "You Only Live Twice" signed, "To the real James Bond, from the thief of his identity." In December 2008 the book was put up for auction, eventually fetching $84,000. (Wikipedia/New York Times)
    Happy Birthday, James Bond!
    image.png
    image.png

    “I am fond of pigs. Dogs look up to us. Cats look down on us. Pigs treat us as equals.” ~Winston S. Churchill

    1 Reply Last reply
    • jon-nycJ Online
      jon-nycJ Online
      jon-nyc
      wrote last edited by
      #2385

      Interior of the Orient Express

      IMG_4824.jpeg

      Only non-witches get due process.

      • Cotton Mather, Salem Massachusetts, 1692
      1 Reply Last reply
      • jon-nycJ Online
        jon-nycJ Online
        jon-nyc
        wrote last edited by
        #2386

        Hey @mark , aim higher. lol

        Only non-witches get due process.

        • Cotton Mather, Salem Massachusetts, 1692
        1 Reply Last reply
        • jon-nycJ Online
          jon-nycJ Online
          jon-nyc
          wrote last edited by jon-nyc
          #2387

          Watch that bar start to bow.

          Only non-witches get due process.

          • Cotton Mather, Salem Massachusetts, 1692
          1 Reply Last reply
          • taiwan_girlT Offline
            taiwan_girlT Offline
            taiwan_girl
            wrote last edited by
            #2388

            The comment "Ronnie Coleman is not human". I wonder what % is steroids? 555

            HoraceH 1 Reply Last reply
            • taiwan_girlT taiwan_girl

              The comment "Ronnie Coleman is not human". I wonder what % is steroids? 555

              HoraceH Offline
              HoraceH Offline
              Horace
              wrote last edited by
              #2389

              @taiwan_girl said in Mildly interesting:

              The comment "Ronnie Coleman is not human". I wonder what % is steroids? 555

              He was obsessed with bodybuilding. Obviously, steroids are necessary to look like that. He's paying the price these days. I don't think he can walk anymore. He still lifts, though. As I said, he's truly obsessed.

              Education is extremely important.

              1 Reply Last reply
              • taiwan_girlT Offline
                taiwan_girlT Offline
                taiwan_girl
                wrote last edited by
                #2390

                Read the general info about him on Wiki. 60 years old and in a wheelchair. Sad, but apparently, he has no regrets.

                I imagine his heart is in pretty bad shape also. Seems like a lot of those people who use steroids a lot time end up with heart problems.

                1 Reply Last reply
                • MikM Offline
                  MikM Offline
                  Mik
                  wrote last edited by
                  #2391

                  40e2b2a0-886a-46ca-860d-28256643f54c-image.png

                  When Johanna “Jo” van Gogh married Theo van Gogh, she couldn’t have imagined she’d change art history. Within two years, both her husband and his brother Vincent were gone—one to illness, the other to despair.

                  Left a widow at 28 with an infant son and hundreds of unsold paintings by a little-known artist, Jo could’ve walked away. Vincent had sold almost nothing during his lifetime. Critics had dismissed him. To most, the paintings were worthless.

                  But Jo saw more than just canvas and paint—she saw Vincent’s soul in every brushstroke. She read his letters, filled with hope, suffering, and passion, and knew his story had to be told.

                  She moved back to the Netherlands, ran a boarding house to survive, and began quietly organizing exhibitions. More importantly, she shared the letters between Vincent and Theo—revealing a mind full of brilliance, not madness. Slowly, the world began to listen.

                  In 1905, Jo curated the first major Van Gogh retrospective in Amsterdam. It changed everything. Critics reevaluated him. Museums began acquiring his work. His name spread far beyond Europe.

                  Today, Vincent van Gogh is one of the most celebrated artists in history. But it was Jo who made that possible. Her quiet resolve turned obscurity into immortality. Without her, the world may have never seen Starry Night or Sunflowers. Her story reminds us: legacies are often built not just by those who create—but by those who believe.

                  #WomenInHistory #ArtThatEndures
                  ~Old Photo Club

                  “I am fond of pigs. Dogs look up to us. Cats look down on us. Pigs treat us as equals.” ~Winston S. Churchill

                  AxtremusA 1 Reply Last reply
                  • MikM Offline
                    MikM Offline
                    Mik
                    wrote last edited by
                    #2392

                    alt text

                    alt text

                    How did Revolutionary War artillerymen know how to fire a cannon? We recently acquired for our collections an example of one of the tools they used: a pair of gunner’s calipers. Engraved with a ruler and specifications on different cannons and shot, calipers helped artillerymen measure the bore of a cannon and diameter of cannonballs, determine the appropriate size shot and amount of gunpowder, and even estimate a gun’s range—for use on both land and sea. This brass example was made in 1776 by Addison Smith of London, England.

                    “I am fond of pigs. Dogs look up to us. Cats look down on us. Pigs treat us as equals.” ~Winston S. Churchill

                    taiwan_girlT 1 Reply Last reply
                    • MikM Mik

                      alt text

                      alt text

                      How did Revolutionary War artillerymen know how to fire a cannon? We recently acquired for our collections an example of one of the tools they used: a pair of gunner’s calipers. Engraved with a ruler and specifications on different cannons and shot, calipers helped artillerymen measure the bore of a cannon and diameter of cannonballs, determine the appropriate size shot and amount of gunpowder, and even estimate a gun’s range—for use on both land and sea. This brass example was made in 1776 by Addison Smith of London, England.

                      taiwan_girlT Offline
                      taiwan_girlT Offline
                      taiwan_girl
                      wrote last edited by
                      #2393

                      @Mik That is quite cool. Kind of like a slide rule or abacus for cannon shooting.

                      1 Reply Last reply
                      • MikM Mik

                        40e2b2a0-886a-46ca-860d-28256643f54c-image.png

                        When Johanna “Jo” van Gogh married Theo van Gogh, she couldn’t have imagined she’d change art history. Within two years, both her husband and his brother Vincent were gone—one to illness, the other to despair.

                        Left a widow at 28 with an infant son and hundreds of unsold paintings by a little-known artist, Jo could’ve walked away. Vincent had sold almost nothing during his lifetime. Critics had dismissed him. To most, the paintings were worthless.

                        But Jo saw more than just canvas and paint—she saw Vincent’s soul in every brushstroke. She read his letters, filled with hope, suffering, and passion, and knew his story had to be told.

                        She moved back to the Netherlands, ran a boarding house to survive, and began quietly organizing exhibitions. More importantly, she shared the letters between Vincent and Theo—revealing a mind full of brilliance, not madness. Slowly, the world began to listen.

                        In 1905, Jo curated the first major Van Gogh retrospective in Amsterdam. It changed everything. Critics reevaluated him. Museums began acquiring his work. His name spread far beyond Europe.

                        Today, Vincent van Gogh is one of the most celebrated artists in history. But it was Jo who made that possible. Her quiet resolve turned obscurity into immortality. Without her, the world may have never seen Starry Night or Sunflowers. Her story reminds us: legacies are often built not just by those who create—but by those who believe.

                        #WomenInHistory #ArtThatEndures
                        ~Old Photo Club

                        AxtremusA Offline
                        AxtremusA Offline
                        Axtremus
                        wrote last edited by
                        #2394

                        @Mik
                        Marketing is key!

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