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The New Coffee Room

  1. TNCR
  2. General Discussion
  3. Alfred Brendel, 1931-2025

Alfred Brendel, 1931-2025

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  • jon-nycJ Online
    jon-nycJ Online
    jon-nyc
    wrote on last edited by
    #1

    Gift link. The Times has the best obits.

    https://www.nytimes.com/2025/06/17/arts/music/alfred-brendel-dead.html?unlocked_article_code=1.Pk8.KnPE.mb5UBgzRWzIg&smid=url-share

    If you don't take it, it can only good happen.

    1 Reply Last reply
    • RenaudaR Offline
      RenaudaR Offline
      Renauda
      wrote on last edited by Renauda
      #2

      R.I.P. maestro.

      Not my favourite pianist by any means. I found his interpretations of Beethoven and Liszt pretty dry and academic. His Mozart and Haydn recordings were however among the best out there. He was also a fine musicologist. He was certainly there up along with the likes of Wilhelm Kempf, as a highly respected musician and latter half twentieth century pianist.

      Elbows up!

      1 Reply Last reply
      • jon-nycJ Online
        jon-nycJ Online
        jon-nyc
        wrote on last edited by
        #3

        I saw him I believe the last year he was touring. He was done with the big Beethoven sonatas by then, played Mozart and Haydn instead.

        If you don't take it, it can only good happen.

        1 Reply Last reply
        • KlausK Online
          KlausK Online
          Klaus
          wrote on last edited by
          #4

          I believe his deserved nickname is Brendull.

          kluursK 1 Reply Last reply
          • KlausK Klaus

            I believe his deserved nickname is Brendull.

            kluursK Online
            kluursK Online
            kluurs
            wrote on last edited by
            #5

            @Klaus said in Alfred Brendel, 1931-2025:

            I believe his deserved nickname is Brendull.

            He didn't start out that way. I liked his recordings of Beethoven early in his career. His Schubert was decent, and I enjoyed his Haydn. His later recordings of Beethoven I found less engaging though technically fine. Some of his last recordings seemed to be a bit more heartfelt than that huge expanse in the middle of his career. Nearly everything he did could e bettered by other performers.

            1 Reply Last reply
            • Doctor PhibesD Offline
              Doctor PhibesD Offline
              Doctor Phibes
              wrote on last edited by
              #6

              Tough crowd.

              I rather suspect that my obituary will also include the phrase 'Nearly everything he did could be bettered by others', at least if it's written by anybody who actually knows me.

              I was only joking

              1 Reply Last reply
              • jon-nycJ Online
                jon-nycJ Online
                jon-nyc
                wrote on last edited by
                #7

                He was humble about his success.

                IMG_5887.jpeg

                If you don't take it, it can only good happen.

                1 Reply Last reply
                • HoraceH Offline
                  HoraceH Offline
                  Horace
                  wrote on last edited by
                  #8

                  Link to video

                  Education is extremely important.

                  RenaudaR 1 Reply Last reply
                  • HoraceH Horace

                    Link to video

                    RenaudaR Offline
                    RenaudaR Offline
                    Renauda
                    wrote on last edited by Renauda
                    #9

                    @Horace

                    Interesting presentation. Beehoves me to listen again to some of Brendel’s recordings of Beethoven. Not sure about Liszt though - I remain convinced that he never “got” Liszt the same way as did the likes of Horowitz, Arrau, Cziffra, Ogden, Wild, Bolet and Argerich.

                    Elbows up!

                    jon-nycJ 1 Reply Last reply
                    • jon-nycJ Online
                      jon-nycJ Online
                      jon-nyc
                      wrote on last edited by jon-nyc
                      #10

                      I did a search in my email on his name to see if I could find the ticket receipt to see when I saw him.

                      What came up instead was me emailing a friend saying that Brendel’s LvB Cm variations were my favorite interpretation.

                      If you don't take it, it can only good happen.

                      1 Reply Last reply
                      • RenaudaR Renauda

                        @Horace

                        Interesting presentation. Beehoves me to listen again to some of Brendel’s recordings of Beethoven. Not sure about Liszt though - I remain convinced that he never “got” Liszt the same way as did the likes of Horowitz, Arrau, Cziffra, Ogden, Wild, Bolet and Argerich.

                        jon-nycJ Online
                        jon-nycJ Online
                        jon-nyc
                        wrote on last edited by
                        #11

                        @Renauda

                        I agree, having listened to his Bm sonata last night.

                        If you don't take it, it can only good happen.

                        RenaudaR 1 Reply Last reply
                        • jon-nycJ jon-nyc

                          @Renauda

                          I agree, having listened to his Bm sonata last night.

                          RenaudaR Offline
                          RenaudaR Offline
                          Renauda
                          wrote on last edited by
                          #12

                          @jon-nyc

                          Had to listen to Brendel’s recording of Liszt’s B minor Sonata recording during an undergrad Music History course. The prof, a vocal disparager of Liszt and his music, loved the recording and praised it to no end in class. At the time I had already owned two recordings (still have the vinyls) of the sonata - Arrau’s and Argerich’s.

                          The word “trite” best describes Brendel’s interpretation in comparison to Arrau and, at the time, a very youthful, Martha Argerich.

                          Elbows up!

                          1 Reply Last reply
                          • jon-nycJ Online
                            jon-nycJ Online
                            jon-nyc
                            wrote on last edited by
                            #13

                            It was better than I could ever do but not particularly inspiring.

                            If you don't take it, it can only good happen.

                            1 Reply Last reply
                            • kluursK Online
                              kluursK Online
                              kluurs
                              wrote on last edited by
                              #14

                              https://www.facebook.com/share/r/1BZy16Tb62/?mibextid=wwXIfr

                              1 Reply Last reply
                              • jon-nycJ Online
                                jon-nycJ Online
                                jon-nyc
                                wrote on last edited by
                                #15

                                I listened to him and Dietrich Fischer-Dieskau perform Schubert's Winterreise tonight. Fabulous.

                                If you don't take it, it can only good happen.

                                1 Reply Last reply
                                • jon-nycJ Online
                                  jon-nycJ Online
                                  jon-nyc
                                  wrote on last edited by
                                  #16

                                  Listening to his Schubert Impromptus.

                                  Sublime.

                                  If you don't take it, it can only good happen.

                                  1 Reply Last reply
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