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The New Coffee Room

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  3. Glenn Gould on Beethoven and Tempos

Glenn Gould on Beethoven and Tempos

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  • George KG Offline
    George KG Offline
    George K
    wrote on last edited by
    #1

    Glenn Gould is interviewed by the famous television presenter Humphrey Burton and provides his thoughts on why Beethoven is so central to the Western musical experience. The Interview was originally broadcast on 22th March, 1966.

    Link to video

    Part 2:

    Link to video

    "Now look here, you Baltic gas passer... " - Mik, 6/14/08

    The saying, "Lite is just one damn thing after another," is a gross understatement. The damn things overlap.

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    • markM Offline
      markM Offline
      mark
      wrote on last edited by
      #2

      He really does have an incredible insight and of course the facility to back it up.

      1 Reply Last reply
      • HoraceH Offline
        HoraceH Offline
        Horace
        wrote on last edited by
        #3

        Love those Gould interviews. At some point Glenn became scripting them and acting the script out as if it was an extemporaneous interview.

        Education is extremely important.

        George KG 1 Reply Last reply
        • HoraceH Horace

          Love those Gould interviews. At some point Glenn became scripting them and acting the script out as if it was an extemporaneous interview.

          George KG Offline
          George KG Offline
          George K
          wrote on last edited by
          #4

          @horace said in Glenn Gould on Beethoven and Tempos:

          Love those Gould interviews.

          If you go to that YouTube page, you'll find a video in which he talks about how he hates audiences. He says he didn't perform for the adulation (unlike other pianists - and he names them (cough Rubenstein cough), but rather for the art.

          "Now look here, you Baltic gas passer... " - Mik, 6/14/08

          The saying, "Lite is just one damn thing after another," is a gross understatement. The damn things overlap.

          1 Reply Last reply
          • RenaudaR Offline
            RenaudaR Offline
            Renauda
            wrote on last edited by
            #5

            Somewhere out there exist Gould’s analysis of the piano compositions of Schoenberg, Webern and Hindemith. Very good.

            Can’t say that ever liked his recordings Beethoven or any Romantic composer. His recordings of Hindemith’s sonatas are, IMO, unsurpassed.

            Elbows up!

            George KG 1 Reply Last reply
            • RenaudaR Renauda

              Somewhere out there exist Gould’s analysis of the piano compositions of Schoenberg, Webern and Hindemith. Very good.

              Can’t say that ever liked his recordings Beethoven or any Romantic composer. His recordings of Hindemith’s sonatas are, IMO, unsurpassed.

              George KG Offline
              George KG Offline
              George K
              wrote on last edited by
              #6

              @renauda said in Glenn Gould on Beethoven and Tempos:

              His recordings of Hindemith’s sonatas

              I always had a hard time getting into Hindemith's music.

              Point me to where to begin.

              "Now look here, you Baltic gas passer... " - Mik, 6/14/08

              The saying, "Lite is just one damn thing after another," is a gross understatement. The damn things overlap.

              RenaudaR 1 Reply Last reply
              • George KG George K

                @renauda said in Glenn Gould on Beethoven and Tempos:

                His recordings of Hindemith’s sonatas

                I always had a hard time getting into Hindemith's music.

                Point me to where to begin.

                RenaudaR Offline
                RenaudaR Offline
                Renauda
                wrote on last edited by
                #7

                @george-k

                Same with me, despite having a harmony teacher who was really into Hindemith. He had actually studied composition from a student of Hindemith’s. In any case I guess it was Gould’s TV lecture and his recordings of the sonatas that opened things up.

                Elbows up!

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