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The New Coffee Room

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  3. Hey Rach fans

Hey Rach fans

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  • jon-nycJ Offline
    jon-nycJ Offline
    jon-nyc
    wrote on last edited by jon-nyc
    #1

    Never heard of this guy before but wow. A fascinating interpretation of the Dm sonata, one of my favorite pieces in all of the piano literature.

    He really captures subtleties that are easy to miss in more ‘masculine’ interpretations such as Weissenberg or Berezhovsky.

    Link to video

    Only non-witches get due process.

    • Cotton Mather, Salem Massachusetts, 1692
    KlausK 2 Replies Last reply
    • jon-nycJ jon-nyc

      Never heard of this guy before but wow. A fascinating interpretation of the Dm sonata, one of my favorite pieces in all of the piano literature.

      He really captures subtleties that are easy to miss in more ‘masculine’ interpretations such as Weissenberg or Berezhovsky.

      Link to video

      KlausK Offline
      KlausK Offline
      Klaus
      wrote on last edited by Klaus
      #2

      @jon-nyc said in Hey Rach fans:

      He really captures subtleties that are easy to miss in more ‘masculine’ interpretations such as Weissenberg or Berezhovsky.

      That's a red flag right there. Who wants a sissy interpretation of that piece? I want sweat and broken piano strings, not "subtleties"! If you want submissive, emasculated piano music, I propose you listen to some Mozart sonatas from fucking Brendull.

      1 Reply Last reply
      • HoraceH Offline
        HoraceH Offline
        Horace
        wrote on last edited by
        #3

        jon does make a good point though, that if you want a good feminine interpretation of a piece of music, the only way to get it is through a talented male musician.

        Education is extremely important.

        1 Reply Last reply
        • jon-nycJ Offline
          jon-nycJ Offline
          jon-nyc
          wrote on last edited by
          #4

          @Klaus Seriously give it a listen.

          Only non-witches get due process.

          • Cotton Mather, Salem Massachusetts, 1692
          1 Reply Last reply
          • jon-nycJ jon-nyc

            Never heard of this guy before but wow. A fascinating interpretation of the Dm sonata, one of my favorite pieces in all of the piano literature.

            He really captures subtleties that are easy to miss in more ‘masculine’ interpretations such as Weissenberg or Berezhovsky.

            Link to video

            KlausK Offline
            KlausK Offline
            Klaus
            wrote on last edited by
            #5

            Gave it a listen. First of all,

            @jon-nyc said in Hey Rach fans:

            one of my favorite pieces in all of the piano literature

            completely agree with that. It doesn't get the credit it deserves in public perception and performance practice.

            The recording is very smooth. What struck me most is how he's technically mastering the piece to such a high degree that the interpretation isn't about mastering the technical challenges anymore. Very controlled. Almost Michelangeli-esque.

            In the ending he got a bit carried away with the high speed, but those fast fat chords were pretty cool.

            The second movement stands out compared to most other interpretations of the piece.

            I also like how seriously and concentrated he looks during the performance.

            1 Reply Last reply
            • kluursK Offline
              kluursK Offline
              kluurs
              wrote on last edited by
              #6

              Very compelling. Rachmaninov can work in different ways, poetically, dynamically - or as you've said, masculine vs. feminine. A couple of my favorite Rach 3s - one very poetic, one ridiculously quickly and a few virtuoso performances. I enjoy each for what they showcase.

              1 Reply Last reply
              • jon-nycJ Offline
                jon-nycJ Offline
                jon-nyc
                wrote on last edited by
                #7

                I’m waiting for TavD to comment.

                Only non-witches get due process.

                • Cotton Mather, Salem Massachusetts, 1692
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