Original Movies (not sequel, not reboot, not spin-off)
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@axtremus said in Original Movies (not sequel, not reboot, not spin-off):
"Dear Evan Hansen" (2021) directed by Stephen Chbosky
It is supposedly a musical, but the drama (plot) is so good that I completely forgot it's a musical. The first part is a little slow setting up the background for a teenager with certain psychological impediments that has trouble making friends. Then it really gets into gear and weaved an engaging tale about how the protagonist, through misunderstanding, become loved by the family of another diseased teenager and become popular in school and on social media. The film portrays different aspects of mental illnesses as they affect the youth, but not in preachy or cringy way. It's pretty good movie with a good story once you get past the first part that's a bit slow.
Have not seen the movie yet, but Ben Platt is a huge talent. See The Politician.
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"Lamb" (2021) directed by Valdimar Jóhannsson
An Icelandic film. Story revolves around a couple and their adopted half-lamb, half-human child. As an American I find this film to move along quite slowly. The film is classified as "horror" but I do not find it all that horrifying. Big kudos to the special effects and makeup teams, for the half-lamb, half-human child looks very convincing on the screen.
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"Ron's Gone Wrong" directed by Sarah Smith and Jean-Philippe Vine
Very nice children's animation. Speaks to the dynamics between social media and young children today. It's very well executed. It makes an effort to be thoughtful without getting too preachy or judgmental. Good entertainment that can be enjoyed with young children. Heck, it's good entertainment by itself even without young children.
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"Antlers" (2021) directed by Scott Cooper
Film about a supernatural entity that victimizes a poor miner's family that later terrorize the town and killed people. Child actor Jeremy T. Thomas did a phenomenal job playing the protagonist Lucas Weaver. Actually the cast all did quite well with the material given. Lots of blood and gore. But the underlying plot/script is just not that special.
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@axtremus said in Original Movies (not sequel, not reboot, not spin-off):
Though nothing profound or groundbreaking, it's very well executed and quite entertaining, kept the adrenaline levels high through most of the film.
My favorite kind.
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"Last Night in Soho" directed by Edgar Wright
British psychological horror with some supernatural stuff thrown in. If you love the 1960s you will probably like the film's nostalgic recreation of it, the music and the fashion of the era. The plot/story is not all that outstanding. But the overall production is very good. The actresses are exceedingly beautiful. Not to penalize the actress for being "too beautiful," but if it were up to me I'd probably make the actress Thomasin McKenzie look less radiant and less naïve for the character of Eloise "Ellie" Turner. Not a bad movie, most likely you will like it more if you like the 1960s or you will like it less if you do not like the 1960s.
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"Eternals" (2021) directed by Chloé Zhao
So it's a Marvel film, but much like Shang-Chi it has nothing to do with the other Marvel films. A character or two mumbling something about some Avenger characters in passing but you can completely eliminate those mumblings and the film will still work just fine, that's why I treat it as "original" here. (Heck, I think the film would work even better without referencing the Avengers at all -- it's quite contrived to explain the Eternals sitting out all the big fights that happened in the Avengers' universe.)
Nice, big-budget production, for sure. If Shang-Chi is Marvel's attempt to extend the MCU into the Sinophere, then Eternals is Marvel's attempt to extend the MCU into the Indosphere -- there is even a Bollywood style dance number in it.
Anyway, it's a nice, exciting ensemble superhero flick. Nothing terribly profound or terribly groundbreaking. If you like Marvel style ensemble superhero flicks, chances are you will like this one too.
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"Sooryavanshi" (2021) directed by Rohit Shetty
Hindi language super-cop action flick. The story revolves around an Indian cop who leads an elite anti-terrorism squad to foil a terrorism plot. It's interesting to me because:
- It has Indian cop show tropes rather than American or Hong Kong cop show tropes
- It has Indian action/fighting styles rather than the parkour/kungfu-inspired action/fighting styles.
- Particularly the birds-eye view car chase scenes -- I cannot explain it, but Indian car chase scenes somehow immediately looked different to me compared to Hollywood or Hong Kong car chase scenes. The Indian car chase scenes somehow looked more "real", more believable to me.
- (Yeah, Indian humor is different from Hollywood/New York humor too, but you can say that for just about any foreign language film.)
- Imagine cops, a whole lot of them in civilian police and special tactical uniforms, perform a Bollywood dance number.
On the social commentary front, the film addresses the Hindu-Muslim tension that exists within India, with a bit of a nationalistic tone, ultimately promotes inter-religious unity for the good of the country that is India.
Anyway, if you feel like adding a foreign language not-superhero action flick to your watch queue, this one will work just fine. I certainly enjoyed it.
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"The French Dispatch [of the Liberty, Kansas Evening Sun]" (2021) directed by Wes Anderson
It's actually three unrelated stories in a container story. Heavily narrated, you'd probably be better off reading the stories rather than watching the stories, except the first one that involves modern visual art. You probably need to "see" the art pieces rather than "read about" the art pieces to take the story in. Incidentally this first story and also presents full frontal nudity in a few scenes, which is unusual in American films these days.
In any case, think of this as an "art film" that is nicely paced (not too slow). It does not really induce excitement or trigger many emotions. Most of the time, it's like reading The New Yorker -- relaxing, somewhat interesting, with a veneer of intellectualism, but ultimately aloof in that you are unlikely to ever identify with any one in the stories. Still worth a viewing when you have a couple of relaxing hours, perhaps with a glass of liquor in your hand.
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G George K referenced this topic on
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"India Sweet and Spices" (2021) directed by Geeta Malik
I find this to be a sensitive, smart, and ultimately hopeful movie. Dialogue is in English. The story follows a Desi-American young woman who returned from university to her parents' for summer break. Many scenes depicting the life style and social norms of the upper-class Indian-American community. I chuckle along, but I cannot tell how much of it is accurate and what are caricatures. I suppose I look at it like Indian-Americans look at Joy Luck Club.
It's a thoughtful movie that also contrasts the Indian community's evolving generational attitudes toward women. Embedded in the story is also a tale of how a young woman reignited a former activist's enthusiasm for her cause. All this without getting too preachy.
There is no grand cinematic scene that compels one to watch it on a big screen, streaming this onto your tablet or desktop is just fine. So no need to go find it in a theater. If you can find it on your streaming services, though, I would recommend that you give this one a go.
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"For the Love of Money" (2021) by directed by Heath Ryan
I suppose I can contrast this to Peppermint (2018, directed by Pierre Morel). The motivation for both is a single mother who was wronged is many ways and found her child threatened, which then forced the mother to do something drastic. In Peppermint, the white mother became a gun-totting crime-fighting vigilante. In For the Love of Money, the black mother became a drug money launderer.
There are gangsters and organized crime alright. But the entire plot has only two gunshots and two murders, one of which happens off-screen.
I watched it in a theater, and it's competently produced, competently acted. But overall this feels like it could have been a made-for-TV movie, so no need to rush to a theater to see it. Streaming to your tablet is fine.
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"A Holiday Chance" (2021) directed by Jamal Hill
This feels like a Hallmark Christmas holiday movie, except the all the protagonists and most of the cast are black. The story is that of two sisters overcoming their personality clashes to come together to save the family estate and the family business after the patriarch passed away, just in time for Christmas. The whole movie is quite cliché, quite Hallmark-y. The only other bit that's not so Hallmark-y is the excessive, unnecessary showing of partial boobs. Srsly, the movie and the plot can move along just fine without those sisters wearing low-cut blouses and showing sideboobs so frequently.
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"Encanto" (2021) directed by Jared Bush and Byron Howard
Like most other big budget Disney animated feature films, this one is certainly very competently produced, with very nice music by Lin-Manuel Miranda (stylistically very similar to "Hamilton" the musical) and very nice (animated) choreography. Like virtually every animated feature film featuring Latino culture that made it to the silver screens in the USA's theaters, this one, too, feature some sort of supernatural magic thing. And just like almost every Latino-centric Disney productions, there is an Abuela (grandmother). Refreshingly, though, the Abeula in this case is not infallible.
Overall, it's a very nice family film. The animation and computer generated graphics are so good, so imaginative, that I think you will appreciate seeing it on a big screen if you can catch it on a big screen. The music is definitely an attraction by itself. If you like the musical style of "Hamilton" the musical, or you like Lin-Manuel Miranda's music in general, you will like the music in Encanto.
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"Licorice Pizza" (2021) directed by Paul Thomas Anderson
Very good movie. In a sense, it's about young (and sometime stupid) love. In terms of story telling and plot, its style is very similar to "One Upon A Time In Hollywood", in that it follows the protagonists through multiple events and stories that do not really form a recognizable arc. While the "stories" do not really go anywhere, still, they are captivating and from time to time you get nice surprises. Overall the movie is well crafted. No need to go see it on a big screen. If you like the story telling style of "One Upon A Time In Hollywood", chances are you will like "Licorice Pizza" too, and I would recommend putting this into your watch queue for whenever it becomes available on streaming services. -
"Red Rocket" (2021) directed by Sean Baker
The story follows a middle-aged screw-up, has-been male pornographic actor, his return to his hometown, his interaction with his wife (also a former pornographic actress), his mother in-law, his colorful neighbor, local drug dealers, and a young women working in a donut shop whom he thought he could induct into the pornography business. But this movie is not pornography and is not about pornography. It's a bit like watching "Joe Dirt," but with some frontal nudities, and no where near as up-lifting. Not a bad movie, watch it if you like stories about screw-ball losers down on their luck. -
"The 355" (2022) directed by Simon Kinberg
It's an ensemble spy thriller/action flick. Competently produced and quite entertaining. The main cast consists of five agents from five different intelligent agencies, all young women, all different nationalities, a American brunette, a British black woman, a Colombian Latina, a German blonde, and a Chinese; and the whole movie was done without emphasizing the protagonists' sex appeal (which is very rare among woman-spy movies) -- so it checks the all the "diversity" boxes and the "girl power" box too. No, it does not check the "positive body image" box because these are good-looking, slender women. It's like a more "woke," augmented version of "Charlie's Angels", but less fun, with better action/fight scenes, but not as tight as the Jason Bourne action/fight scenes. Nothing profound or ground-breaking in this movie, but good entertainment! -
"Poupelle of Chimney Town" (2022) directed by Yusuke Hirota
Japanese animated film, a fantasy about a kid and his magical robot companion living in an enclosed world that's covered by thick smoke. It's very well-meaning and tries to squeeze a lot of emotion into the film with a motivating message about sticking to your guns to break out of a limited world, but ultimately did not move me much. Also not crazy about the visual style (a bit like "Box Trolls"), but that's just a matter of personal preference. Not a bad movie, just not to my taste. -
"Belle" (2021) directed by Mamoru Hosoda
Imagine "Ready Player One"-like virtual reality with a bit of "Beauty and the Beast" mixed in, juxtaposed with teenage angst, comical reliefs from teenage awkwardness, heart-felt abandonment issues, and a child abuse side plot, all dressed in Japanese anime form -- this is more or less "Belle." Very good music (even though I do not understand the lyrics in Japanese)! This is a very good movie, with colorful imagination, emotional depth, good story telling, and positive/motivating messages. Fit for grown-ups and kids. Definitely one of the best animated feature film I have seen in a long while. Some of the very elaborate, very expansive CGI scenes deserve to be seen on a big screen -- so go catch it in theaters while you still can. -
@axtremus said in Original Movies (not sequel, not reboot, not spin-off):
Free Guy (2020) directed by Shawn Levy
Fun! A lot of it unfolds in a virtual world in a computer game, so you might think “TRON” or “Ready Player One” or “Pixel.” The plot outline is a lot like “TRON” (“evil businessman stole my code and I have to find proof inside the game”) and a key element of the plot is the notion of NPCs coming to “life” through AI (like in “TRON: Legacy”). “Free Guy” is not as iconic or “groundbreaking” as “TRON”, but it is certainly more up-to-date than both “TRON” movies considering its treatment of MMPRPG and NPCs. “Free Guy” also has more emotional depth and appeal to the non-geeks. All in all, “Free Guy” is fun entertainment.
I saw this at a drive-in theater in Cape Cod this summer with my boy and two of his friends. I agree with your assessment. Much better than I was expecting, actually enjoyable.
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Parallel Mothers (Spanish: Madres paralelas, 2021) directed by Pedro Almodóvar
Drama centered around two single mothers, one a full grown professional woman and one teenager when when they delivered their respective babies. The plot goes many places. The women's uneasy dynamics with their own mothers, their complicated relationships with the baby-daddies and sexual paramours, bisexualism, baby mix-up switcheroo, even an underlying current of Spanish nationalism in the form of a multi-year project to excavate/re-bury the remains of Spanish Civil War casualties. The last part probably means a lot to the Spaniards though I have to admit I as a foreigner do not think I fully grasp its significance. It's a thoughtful movie, just go in knowing that it's a movie about emotions and relationships and set your expectations accordingly.
