Saturday Night Jazz
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Link to video
Dave Brubeck - Three To Get Ready (Live) (1959)
"Three to Get Ready" from Dave Brubeck's iconic 1959 album Time Out is renowned for its inventive use of rhythm, skillfully weaving 3/4 and 4/4 time signatures to create a uniquely engaging jazz piece. This track showcases a playful yet sophisticated interplay between these meters, alternating every two bars, which not only enriches its harmonic texture but also exemplifies the album's experimental spirit.
At the core of the melody is Brubeck's crisp piano playing, which provides clear, guiding lines through the complex rhythmic landscape. Paul Desmond's alto saxophone complements this perfectly, delivering smooth, lyrical phrases that intertwine gracefully with the piano. Their musical dialogue is a highlight, demonstrating both individual artistry and a deep, cohesive synergy.
The rhythm section, with Eugene Wright on bass and Joe Morello on drums, plays a crucial role in maintaining the piece's flow and stability amidst its rhythmic shifts. Their performance is subtle yet vital, anchoring the dynamic exchanges between Brubeck and Desmond."Three to Get Ready" is a testament to Brubeck’s passion for exploring new rhythmic dimensions within jazz. It is celebrated for its originality and complexity, often regarded as a favorite for its playful approach to rhythm and impeccable execution by the Dave Brubeck Quartet. The track’s lasting appeal confirms Brubeck’s status as a pioneering figure in jazz, continually pushing the genre’s boundaries through innovative rhythmic exploration.
"Now look here, you Baltic gas passer... " - Mik, 6/14/08
The saying, "Lite is just one damn thing after another," is a gross understatement. The damn things overlap.
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Link to video
Dave Brubeck - Three To Get Ready (Live) (1959)
"Three to Get Ready" from Dave Brubeck's iconic 1959 album Time Out is renowned for its inventive use of rhythm, skillfully weaving 3/4 and 4/4 time signatures to create a uniquely engaging jazz piece. This track showcases a playful yet sophisticated interplay between these meters, alternating every two bars, which not only enriches its harmonic texture but also exemplifies the album's experimental spirit.
At the core of the melody is Brubeck's crisp piano playing, which provides clear, guiding lines through the complex rhythmic landscape. Paul Desmond's alto saxophone complements this perfectly, delivering smooth, lyrical phrases that intertwine gracefully with the piano. Their musical dialogue is a highlight, demonstrating both individual artistry and a deep, cohesive synergy.
The rhythm section, with Eugene Wright on bass and Joe Morello on drums, plays a crucial role in maintaining the piece's flow and stability amidst its rhythmic shifts. Their performance is subtle yet vital, anchoring the dynamic exchanges between Brubeck and Desmond."Three to Get Ready" is a testament to Brubeck’s passion for exploring new rhythmic dimensions within jazz. It is celebrated for its originality and complexity, often regarded as a favorite for its playful approach to rhythm and impeccable execution by the Dave Brubeck Quartet. The track’s lasting appeal confirms Brubeck’s status as a pioneering figure in jazz, continually pushing the genre’s boundaries through innovative rhythmic exploration.
