Scarlatti and Me
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@jon-nyc said in Scarlatti and Me:
Oh yeah. Sight reading is much better though I still have a long way to go.
Jon, it really is great you tackled all the Scarlatti.
But staying true to form, I'll continue to help:If you ever do perform them, I hope you explain who Kilpatrick was. I've never heard of him. Maybe just go by "Ralph K."(?)
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@SD-Tav said in Scarlatti and Me:
@jon-nyc Suggestion for a new project: read through all of the Haydn Sonatas. Many little-known gems. Over 50 to survey!
Yes! THey're good sight-reading material, indeed, if taken slowly.
So are the slow movements from the Mozart sonatas, but @jon-nyc won't go there, amirite?
@George-K said in Scarlatti and Me:
@SD-Tav said in Scarlatti and Me:
@jon-nyc Suggestion for a new project: read through all of the Haydn Sonatas. Many little-known gems. Over 50 to survey!
Yes! THey're good sight-reading material, indeed, if taken slowly.
Really? I'd say they are one league up in terms of difficulty compared to most Scarlatti sonatas.
I personally use Opus Clavicembalisticum for sight-reading practice.
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@George-K said in Scarlatti and Me:
Oh, by the way, shouldn't it be "Scarlatti and I?"
(asking for Aqua)
Depends on whether they are the subject or object which I left ambiguous
@jon-nyc said in Scarlatti and Me:
@George-K said in Scarlatti and Me:
Oh, by the way, shouldn't it be "Scarlatti and I?"
(asking for Aqua)
Depends on whether they are the subject or object which I left ambiguous

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