What are you playing now?
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Finished the f minor invention, and living with it every day as an ongoing project. Now working on the c# minor fugue from WTC1, an all time favorite of mine. The last entrance of the main subject at 4:59 is my favorite moment in the keyboard repertoire.
Link to video -
Finished the f minor invention, and living with it every day as an ongoing project. Now working on the c# minor fugue from WTC1, an all time favorite of mine. The last entrance of the main subject at 4:59 is my favorite moment in the keyboard repertoire.
Link to video -
The Chopin Scherzo #2 (op 31) is coming along there are 4 pages that need work to bring them up to something approaching tempo. It will take a few more weeks to get it solid. I'm also making progress on the Rachmaninov Liebesleid which I've been working on bringing back into repertoire. It also will need some time.
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Started working on this about 2 weeks ago. Exposition is about 75% under my fingers.
Link to video -
The first movement of D664 is wonderful, and Richter has a decent tempo for it. That's a great choice.
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The first movement of D664 is wonderful, and Richter has a decent tempo for it. That's a great choice.
@kluurs said in What are you playing now?:
Richter has a decent tempo for it
Yes, in fact, listening to many recordings of it, I find that I'm being too aggressive with tempo. I need to slow it down.
Also, struggling with measure 33 - the best way to finger it. Doing it all in the left hand is, for me, awkward.
I'm thinking play the 2nd three notes of the first triplet with the right hand, the 2nd triplet with the left, etc., ending with left hand 3rd finger on the last note.
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The first movement of D664 is wonderful, and Richter has a decent tempo for it. That's a great choice.
@kluurs said in What are you playing now?:
The first movement of D664 is wonderful, and Richter has a decent tempo for it. That's a great choice.
90% done with it (1st movement) - I can do the octave runs about...90% of the time.
3rd movement is...tricky.
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George - I was at a masterclass on D664 with Adele Marcus. I taped it - but sadly - it's difficult to capture because Marcus was not separately miked. Adle Marcus was one of the more famous teachers at Juilliard - taught Stephen Hough, Byron Janis, Tzimon Barto, and several other well known pianists. She was a student of both Josef and Rosina Lhevinne. It was recorded about 40 years ago.
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Finished the c# minor fugue from WTC1. My teacher says my interpretation reminds him of Richter's, which I must say is a VERY high compliment to Richter. Now I'm working on the prelude, and the famous Brahms 118.2.
@Horace said in What are you playing now?:
the famous Brahms 118.2.
That's fun to play. I always found the polyrhythm section a bit of a challenge - I do with all polyrhythms.
You might find this interesting:
Link to video -
@Horace said in What are you playing now?:
the famous Brahms 118.2.
That's fun to play. I always found the polyrhythm section a bit of a challenge - I do with all polyrhythms.
You might find this interesting:
Link to video@George-K said in What are you playing now?:
@Horace said in What are you playing now?:
the famous Brahms 118.2.
That's fun to play. I always found the polyrhythm section a bit of a challenge - I do with all polyrhythms.
You might find this interesting:
Link to videoWatched that a few days ago, thanks George. I love those 3 vs 2s. Can't sight read them musically, but once they're up to speed they are marvelous.
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@George-K said in What are you playing now?:
@Horace said in What are you playing now?:
the famous Brahms 118.2.
That's fun to play. I always found the polyrhythm section a bit of a challenge - I do with all polyrhythms.
You might find this interesting:
Link to videoWatched that a few days ago, thanks George. I love those 3 vs 2s. Can't sight read them musically, but once they're up to speed they are marvelous.
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I just listened to D664, it's beautiful. I wonder if I'll ever play another classical sonata. They are so much work.
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I'm working on Bach's Art of Fugue, First Contrapunctus. The first few lines came along easily enough, and I thought "ah, I can hack this out in a couple of weeks." Then I got into the bramble of the work - and I've worked a couple of weeks just sorting through fingering for a few lines. It's coming along, but while a short piece, it's gonna be a slower slog than I imagined.
Link to video
