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The New Coffee Room

  1. TNCR
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  3. How would you play this?

How would you play this?

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  • George KG George K

    Working on some Poulenc.

    I've always found this passage, with the descending 6ths vexing.

    Starting at the 2nd measure of the passage, I've played as annotated. I find it difficult to keep my thumb "in phase" playing this.

    Screen Shot 2022-09-08 at 8.15.02 PM.png

    So, I'm thinking "fuck legato" and rather than going 5, 4 , 3, 3, 4. playing 5, 4, 5, 4, 5.

    Does that make sense?

    Any other suggestesions?

    AxtremusA Offline
    AxtremusA Offline
    Axtremus
    wrote on last edited by
    #2

    @George-K said in How would you play this?:

    Working on some Poulenc.

    I've always found this passage, with the descending 6ths vexing.

    Starting at the 2nd measure of the passage, I've played as annotated. I find it difficult to keep my thumb "in phase" playing this.

    Screen Shot 2022-09-08 at 8.15.02 PM.png

    So, I'm thinking "fuck legato" and rather than going 5, 4 , 3, 3, 4. playing 5, 4, 5, 4, 5.

    Does that make sense?

    Any other suggestesions?

    What's the tempo?

    OPTION 1:

    If not too fast and your hand is big enough, I'd say the following gives you the best chance for "legato" in the melodic line without relying too much on pedaling:

    5 4 3 2 3
    2 1 1 1 1

    OPTION 2:

    If hand not bit enough, and tempo not too fast, try:

    5 4 5 4 5
    2 1 2 1 2

    Pivot a bit on the thumb to get a facsimile of legato.

    OPTION 3:

    If the tempo is fast, I'd say optimize the fingering for speed and just wing the legato with pedaling.

    Good luck.

    1 Reply Last reply
    • George KG Offline
      George KG Offline
      George K
      wrote on last edited by
      #3

      Thanks, Ax.

      Random video for tempo...

      Link to video

      Passage at 1:27.

      "Now look here, you Baltic gas passer... " - Mik, 6/14/08

      The saying, "Lite is just one damn thing after another," is a gross understatement. The damn things overlap.

      1 Reply Last reply
      • AxtremusA Offline
        AxtremusA Offline
        Axtremus
        wrote on last edited by Axtremus
        #4

        OK, at that tempo, I'd go with OPTION 3: optimize the fingering for speed and use the pedal to take care legato. (If the hand is big enough, this may still converge with OPTION 1.)

        1 Reply Last reply
        • AxtremusA Offline
          AxtremusA Offline
          Axtremus
          wrote on last edited by
          #5

          If you don't mind cheating a bit, a suggested cheat below that allows faster speed without requiring large hand (by skipping a couple of harmonically inconsequential notes):

          Screen Shot 2022-09-08 at 9.54.25 PM.png

          George KG 1 Reply Last reply
          • AxtremusA Axtremus

            If you don't mind cheating a bit, a suggested cheat below that allows faster speed without requiring large hand (by skipping a couple of harmonically inconsequential notes):

            Screen Shot 2022-09-08 at 9.54.25 PM.png

            George KG Offline
            George KG Offline
            George K
            wrote on last edited by
            #6

            @Axtremus thanks! I’ll try that tomorrow.

            "Now look here, you Baltic gas passer... " - Mik, 6/14/08

            The saying, "Lite is just one damn thing after another," is a gross understatement. The damn things overlap.

            1 Reply Last reply
            • LuFins DadL Offline
              LuFins DadL Offline
              LuFins Dad
              wrote on last edited by
              #7

              I play it by saying “Alexa, Play Poulenc…” It does pretty well…

              The Brad

              1 Reply Last reply
              • George KG Offline
                George KG Offline
                George K
                wrote on last edited by
                #8

                OK, another question.

                The second part of Joplin's "Cascades."

                I played this years ago, and was pretty comfortable with it, except this measure. The arpeggios is awkward for my hand. The only fingering I've seen is to play

                5 4 3 2 1 4 2 1 in the first measure. For my hands, I find it easiest to land on 5/3 for the first note of the 2nd measure.

                Any suggestions?

                Screen Shot 2022-09-20 at 5.31.13 PM.png

                "Now look here, you Baltic gas passer... " - Mik, 6/14/08

                The saying, "Lite is just one damn thing after another," is a gross understatement. The damn things overlap.

                1 Reply Last reply
                • LuFins DadL Offline
                  LuFins DadL Offline
                  LuFins Dad
                  wrote on last edited by
                  #9

                  Make sure there are no black spots on your white keys. That will screw everything up.

                  The Brad

                  George KG 1 Reply Last reply
                  • LuFins DadL LuFins Dad

                    Make sure there are no black spots on your white keys. That will screw everything up.

                    George KG Offline
                    George KG Offline
                    George K
                    wrote on last edited by
                    #10

                    @LuFins-Dad said in How would you play this?:

                    Make sure there are no black spots on your white keys. That will screw everything up.

                    1. Your comment was as helpful as the last time you replied in this thread. Thanks!

                    2. You're also a racist.

                    "Now look here, you Baltic gas passer... " - Mik, 6/14/08

                    The saying, "Lite is just one damn thing after another," is a gross understatement. The damn things overlap.

                    LuFins DadL 1 Reply Last reply
                    • George KG George K

                      @LuFins-Dad said in How would you play this?:

                      Make sure there are no black spots on your white keys. That will screw everything up.

                      1. Your comment was as helpful as the last time you replied in this thread. Thanks!

                      2. You're also a racist.

                      LuFins DadL Offline
                      LuFins DadL Offline
                      LuFins Dad
                      wrote on last edited by
                      #11

                      @George-K said in How would you play this?:

                      @LuFins-Dad said in How would you play this?:

                      Make sure there are no black spots on your white keys. That will screw everything up.

                      1. Your comment was as helpful as the last time you replied in this thread. Thanks!

                      2. You're also a racist.

                      Not at all. Black keys need their own separate safe space. That’s just good wokeness. You should also no longer use the note name B# for a white key… That’s Cultural Accidental Appropriation.

                      The Brad

                      George KG 1 Reply Last reply
                      • LuFins DadL LuFins Dad

                        @George-K said in How would you play this?:

                        @LuFins-Dad said in How would you play this?:

                        Make sure there are no black spots on your white keys. That will screw everything up.

                        1. Your comment was as helpful as the last time you replied in this thread. Thanks!

                        2. You're also a racist.

                        Not at all. Black keys need their own separate safe space. That’s just good wokeness. You should also no longer use the note name B# for a white key… That’s Cultural Accidental Appropriation.

                        George KG Offline
                        George KG Offline
                        George K
                        wrote on last edited by
                        #12

                        @LuFins-Dad said in How would you play this?:

                        Not at all. Black keys need their own separate safe space. That’s just good wokeness. You should also no longer use the note name B# for a white key… That’s Cultural Accidental Appropriation.

                        (Expensive) Scotch all over my keyboard.

                        "Now look here, you Baltic gas passer... " - Mik, 6/14/08

                        The saying, "Lite is just one damn thing after another," is a gross understatement. The damn things overlap.

                        1 Reply Last reply
                        • George KG George K

                          Working on some Poulenc.

                          I've always found this passage, with the descending 6ths vexing.

                          Starting at the 2nd measure of the passage, I've played as annotated. I find it difficult to keep my thumb "in phase" playing this.

                          Screen Shot 2022-09-08 at 8.15.02 PM.png

                          So, I'm thinking "fuck legato" and rather than going 5, 4 , 3, 3, 4. playing 5, 4, 5, 4, 5.

                          Does that make sense?

                          Any other suggestesions?

                          KlausK Offline
                          KlausK Offline
                          Klaus
                          wrote on last edited by Klaus
                          #13

                          @George-K What works well for my hands is to play the upper line with 5-4-3-2 and the lower line with 2-1-1-1. If you have tiny Trump hands, that might be difficult, though.

                          https://drive.google.com/file/d/1rlG5bCaP5olHL5kiOBpEmqKbJBGokXnr/view?usp=sharing

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